These are essays written in defiance of the false call to progress, and in defiance of the local landscapes that provide our life, our cultural heritage, our history and our home.

A collection of essays in which the African-American author discusses the things she cares about, shares personal experiences, and offers her opinion on a wide variety of subjects, including age and sexuality, the burdens of fame, and rage and violence.

Essays revisiting themes the Pulitzer Prize-winning novelist, poet, essayist, and activist has addressed throughout her career, exploring her conflicting impulses to retreat into inner contemplation and to remain deeply engaged with the world: racism, Africa, solidarity with the Palestinian people, the presidential campaign of Barack Obama, Cuba, health care, and the work of Aung San Suu Kyi.

In recognition of the Pulitzer Prize-winning author’s long and lauded career as a master essayist, a landmark collection, including her most beloved pieces and some rarely seen work, rigorously curated by the author herself. Carefully culled from her past work, The Abundance is quintessential Annie Dillard, delivered in her fierce and undeniably singular voice, filled with fascinating detail and metaphysical fact. The pieces within will exhilarate...

This personal narrative surveys the panorama of our world, past and present. Here is a natural history of sand, a catalogue of clouds, a batch of newborns on an obstetrical ward, a family of Mongol horsemen. Here is the story of Jesuit paleontologist Teilhard de Chardin digging in the deserts of China. Here is the story of Hasidic thought rising in Eastern Europe. Here are defect and beauty together, miracle and tragedy, time and eternity. Dillard...

Compiles the best literary essays of the year 2012 which were originally published in American periodicals.

What’s a novelist supposed to do with contemporary culture? And what’s contemporary culture sup­posed to do with novelists? In The Ecstasy of Influence, Jonathan Lethem, tangling with what he calls the “white elephant” role of the writer as public intellectual, arrives at an astonishing range of answers. A constellation of previously published pieces and new essays as provocative and idiosyncratic as any he’s written, this volume sheds...

"A collection that includes seven essays and two pieces of short fiction captures both the small moments of daily existence and times when life and death hang in the balance, including the title work about a searing journey through India."--Provided by publisher.

"Author Ross Gay spent a year writing almost-daily essays about the things, large and small, that delight him"--

Me Talk Pretty One Day, tells a most unconventional life story. It begins with a North Carolina childhood filled with speech-therapy classes ("There was the lisp, of course, but more troubling than that was my voice itself, with its excitable tone and high, girlish pitch") and unwanted guitar lessons taught by a midget. From budding performance artist ("The only crimp in my plan was that I seemed to have no talent whatsoever") to "clearly unqualified"...